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journalist & filmmaker Nadine van Loon

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Welcome

ย  Dutch

What motivates people to make certain choices? And how do these choices reflect the world they live in, their context? These questions take center stage in my articles and films. Always with respect for those portrayed, I want to create stories that show the beauty and strength of people, also in their vulnerability.

Documentary film-project ‘Koorddansen op de grens’ | in development

Three lives balance a fine line between trade and power. In a time of geopolitical upheaval, Koorddansen op de grens (before The Merchant’s Map) explores the Dutch merchant mindset in a shifting global order. The film follows three professionals as they navigate the uneasy space between global trade, power politics, and personal integrity.

This film is a visually layered journey through the space between conviction and doubt, past and present, economic interests and moral questions. A reflection on the DNA of a trading nation and on the directions we choose when certainty fades.

With support from the Dutch Special Journalism Fund and the NOT Fund of the Dutch National Archives, I completed the research phase in 2024. The film is now in scenario development.

Documentary ‘Notes from Brussels’ (2022, 79 minutes)

“I๐—ป๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐—ป๐—ด ๐—ถ๐—ฑ๐—ฒ๐—ฎ๐—น๐—ถ๐˜€๐—บ ๐—ถ๐—ป ๐—ก๐—ผ๐˜๐—ฒ๐˜€ ๐—ณ๐—ฟ๐—ผ๐—บ ๐—•๐—ฟ๐˜‚๐˜€๐˜€๐—ฒ๐—น๐˜€”
TV Magazine of Dutch broadcaster VPRO

โ€œ๐€๐ง ๐ข๐ง๐ญ๐ซ๐ข๐ ๐ฎ๐ข๐ง๐  ๐ญ๐ข๐ฆ๐ž ๐๐จ๐œ๐ฎ๐ฆ๐ž๐ง๐ญ ๐ญ๐ก๐š๐ญ ๐ž๐ง๐œ๐จ๐ฎ๐ซ๐š๐ ๐ž๐ฌ ๐๐ข๐ฌ๐œ๐ฎ๐ฌ๐ฌ๐ข๐จ๐งโ€
Cinema magazine โ€˜De Filmkrantโ€™

โ€œ๐๐ซ๐ž๐œ๐ข๐ฌ๐ž๐ฅ๐ฒ ๐›๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐„๐ฎ๐ซ๐จ๐ฉ๐ž๐š๐ง ๐Ÿ๐ซ๐ž๐ž๐๐จ๐ฆ ๐ข๐ฌ ๐ฌ๐ญ๐ข๐ฅ๐ฅ ๐ฌ๐จ ๐Ÿ๐ซ๐š๐ ๐ข๐ฅ๐ž, ๐ฆ๐š๐ข๐ง๐ญ๐š๐ข๐ง๐ข๐ง๐  ๐ข๐ญ ๐ซ๐ž๐ช๐ฎ๐ข๐ซ๐ž๐ฌ ๐ฌ๐จ ๐ฆ๐ฎ๐œ๐ก ๐ฌ๐š๐œ๐ซ๐ข๐Ÿ๐ข๐œ๐ž. ๐“๐ก๐ž ๐๐จ๐œ๐ฎ๐ฆ๐ž๐ง๐ญ๐š๐ซ๐ฒ ๐ฆ๐š๐ค๐ž๐ฌ ๐ญ๐ก๐ข๐ฌ ๐œ๐ฅ๐ž๐š๐ซ ๐ข๐ง ๐š ๐ฌ๐ฎ๐›๐ญ๐ฅ๐ž ๐š๐ง๐ ๐ฉ๐ž๐ซ๐ฌ๐จ๐ง๐š๐ฅ ๐ฐ๐š๐ฒโ€
Magazine on International Affairs โ€˜Clingendael Spectatorโ€™

More info (trailer, credits, press): https://www.notesfrombrussels.eu

Temporarily not available for streaming.

Screening rights are required for showing the film outside the home-environment. Want to screen this film at your festival, within your organization, community or in your classroom? Contact us at info@incontextproducties.nl

Dutch broadcaster the VPRO broadcasted my feature length documentary debut ‘Notes from Brussels’ on national television between 2023 and 2025. In December 2021 the film premiered in Brussels’ Cinema Galeries where the film screened that month in sold out cinema rooms. The film’s theatrical release in the Netherlands was in May 2022, where it toured film theaters in The Hague, Maastricht, Wageningen en Amsterdam. The film screened at filmfestivals and at numerous events within international organizations (NATO, EU institutions), networks and universities with a focus on Europe,ย  leadership, (EU) careers and well-being at work.

Earlier work;

  • Short films; for exhibitions and (non profit) organizations. My short documentaries and film-portraits have been part of several museum exhibitions (a.o. in the Museum of Ethnology and the National Museum of Antiquities in Leiden, the Africa Museum in Berg en Dal and the Drents Museum in Assen). My films tell timeless stories behind topical themes. Stories that focus on what connects us.
  • Text; between 2006 and 2009 I was based in Rabat (Morocco) and wrote as freelance correspondent for ‘Het Parool’ and ‘De Pers’ and published in a variety of Dutchย  magazines such as โ€˜Vrij Nederlandโ€™ and โ€˜Volkskrant Magazineโ€™. Back in the Netherlands I wrote several stories for ‘FD Persoonlijk’, the magazine of the Dutch financial newspaper ‘Het Financieel dagblad’.

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